Farnese Hercules with "Glykon" Inscription, Greece 300 BCE

In 1546 the Farnese Hercules was found in the ruined Baths of Caracalla in Rome (built 206-216 CE). It is now at the Museo Archeologico Nazionale in Naples. It is 10 feet 5 inches high.  The small  inscription is on the front of the rock right below the club.
Photo from Wikimedia Commons. Online at: https://commons.wikimedia.org/wiki/File:Herakles_Farnese_MAN_Napoli_Inv6001_n01.jpg
Location of Sikyon in Greece where Lysippos was born.

Farnese Hercules with "Glykon" Inscription, Greece 350 BCE

(January 5, 2024, updated December 18, 2024)  The statue shows a tired Hercules. The reason for this pose is explained in the first line of its text written in Druid Akkadian. Significantly, the last line is in Greek making this a rare example of a text using two separate languages:


  1. Lack of energy and involvement will activate the revelations (of fate).
  2. (but) Expectations of intimidation will result in Yahu's nourishments. 
  3. EPOIEI (Greek for "Do That!")

This figure is identified as Hercules because he was leaning on a club having a lion head hanging from the handle. The lion's pelt is also drapped from the handle. Hercules was a fighter and defender of life-powers against the powers of fate.

The statue acquired its "Farnese" name after the rich Italian family who were looting various Roman ruins in Italy and Greece.  The statue had been broken into 3 main parts during one of the lootings of Rome as the western empire collapsed. The head, torso, and legs had to be reassembled. The right hand is still missing.

The sculptor of the original Weary Hercules was a Greek named Lysippos or one of his school. They were responsible for the change in art style from the Athenian classical style to this more realistic style seen in the Hellenistic age.  Lysippos was born at Sicyon on the northern coast of the Peloponnese around 390 BC This area was always allied with Sparta against Athens so his work tended to be counter-Athenian. He was a worker of bronze in his youth. He taught himself the art of sculpture, later becoming head of a school located at Argos and Sicyon. Commentators noted the coherent balance of his larger than life figures which were leaner than the ideal represented by Polykleitos of the Athenian school. His large statues also had proportionately smaller heads giving them the impression of greater height when looked at. He was famous for his attention to the details of eyelids and toenails.

His pupil, Chares of Lindos, constructed the Colossus of Rhodes, one of the Seven Wonders of the Ancient World but one which no longer exists.

Other Ancient Copies Include:

References

https://en.wikipedia.org/wiki/Farnese_Hercules

(December 30, 2023, Updated December 18, 2024)  Letter style is Aegean Island (500-300 BCE). Photo by Steven Zuker (2012). Online at: https://www.flickr.com/photos/profzucker/8478159723/in/photostream/

Translation of Front Face in Akkadian (Med Text 49)

(Read left to right. Capital letters on object. Small letters are inferred Inner vowels. Vowels are italic bold) 
  1. Lu  Gi  U  Ku  Ṣu  Nu (Med 49.1) 
  2. AQu  ḪaNu  A  Ya'u  Bu (Med 49.2)  
  3. EPOYEY (Med 49.3)  Greek word!
(Dual use letters are E/H, I/Y, U/W, and '/A in which vowel appears at beginning of words except for Yahu which is keeping its traditional Hebrew transliteration)

In English

  1. Lack of energy and involvement will activate the revelations (of fate).
  2. (but) Expectations of intimidation will result in Yahu's nourishments. 
  3. EPOIEI (Greek for "Do That!")

Previous Translation Attempt

Classicists claim the top line of the text is simply a signature of the copy artist named "Glykon" but that word does not match the lettering! The other lines have never been explained nor translated, only ignored

Lysippos, Farnese Hercules

Farnese Hercules Sculpture in National Archaeological Museum, Naples, Italy.  Archaeological Museum of Naples. Speakers: Dr. Beth Harris & Dr. Steven Zucker.