Med 47 Lapis Niger Runestone, Rome 700 BC
For translation methodology see: How to Translate Alphabetic Akkadian Texts
Significantly, the runestone's material did not occur within Roman boarders when this shrine was built. The material, called Grotta Oscura, is a porous well‐lithified tuff of yellowish‐orange color containing fragments of pumice. It is a soft stone. In the sixth century BC, the source of this material was firmly outside Roman territory, laying on the west bank of the Tiber, five miles north‐east of Veii on the east side of the hairpin‐shaped valley of the Valle Lunga (Frank, 1924:61). Consequently, these quarries would have been in the control of Etruscan Veii, and were to remain so until the end of the Third Veientine War. Its use in Rome at such an early date is, therefore, unusual as Rome had ample access to tufo of its own (Heiken et al., 2005).
Lapis Niger From Rome 700 BC
(December 27, 2023, updated December 11, 2024) Lapis Niger, the Black Stone, is a site of the Roman Forum, a square area in black marble surrounded by marble slabs that distinguished it from the rest of the Augustan flooring in light colored travertine. The floor was discovered on January 10, 1899 by Giacomo Boni and the find was reported by writer Sesto Pompeo Festus. Beneath the black flooring was found a dark runestone adjacent to a small shrine. A gravel layer in the shrine had material remains dating to between 400 to 700 BCE. The black flooring was put in during the forum's reconstruction by Julius or Augustus Caesar.
The runestone was made from a rock material only found in Etruscan lands. The text is also mostly Etruscan although is also has varying Aegean Island styles mixed in indicating it was composed by a variety of authors. The text turns out to be a debate about who is to blame for some drought with each side writing in their own direction. (black = right to left, red = left to right)
Front face reads:
- Life-Threads are not being fate-cursed by astrological-owls. (defends astrological motion powers)
- The Life-Priests divine-powers are veiling the emanations. (blames life powers)
- Motivate the Baker's (Hu) nourishments.
(Motivation rituals involving motion powers push the fertility fluids through the life network.)
Left face reads:
- [word] life-manifestations of Yahu can be woven with the fertility-fluid's reassignments
- The astrology-magic of emotion-owls is not angering those divine-powers with astrology-magic's considerations
- Life-manifestations can be made ineffective by making-scarce pain's attendants (emotion owls)
- The Revealer's (Kate/Hekate) Involvement with Alu is is a result of astrological-owls
Back face reads:
- The Revealer (Kate/Hekate) is being fate-cursed by astrology-magic being gathered-together with Hu
- Attendants (astrological owls) are grazing-together with the weavers (network editing eagle-vultures)
- Meanwhile no astrological-powers are due to the judge's (god Su) ineffectiveness
- Envy of Yahu is due to frustration with Yahu's life-manifestations
Right face reads:
- Emanations (sun rays, rain) are due to the Controllers (Su and Selene)
- Life-Threads of the sky-shell are ineffective
- Fertility-fluids (for the threads/channels) can be energized by the patrollers (planets).
- Life-Threads are being fate-cursed by the distributors (astrological-powers)
References
The Lapis Niger Site During Construction in 2010
This shows the construction upgrading the site after heavy rain got to the Lapis Niger. From: https://www.romanoimpero.com/2010/06/lapis-niger.html
Top view of dry black pavement in the Roman Forum in 2017. Notice the cage covered stairway leading to the space below it. Photo from: De Lapis Niger, het begin van een beschreven stad (The Lapis Niger, the beginning of a described city) by Marleen K. Termeer. Online at: https://www.academia.edu/38266414/Lapis_niger
Model of the Lapis Niger's Adjacent Shrine
(December 24, 2023) The Lapis Niger is shown as a dark red square next to a dark red round pedestal (no inscriptions) in this museum model of the site. Both stones are adjacent to what seems to be a shrine (sacellum) called the.
The Volcanal has a small square pedestal at its opening must have held a statue of something. One either side were more elaborate pedestals. All of these were likely desecrated by the Gauls during when they looted Rome around 390 BCE. The Lapis Niger had its top broken off and destroyed.
The shrine is aligned with the cardinal directions which is at an angle to the main direction of the valley. A person facing the shrine would be facing north. In constrast the Lapis Niger is aligned with the direction of the valley and so is at an angle with the shrine.
(December 24, 2023) Close-up drawing of the shrine area from 1906. When it was excavated the plinths of the bases were found packed in a layer of gravel which had been purposely brought there: in this layer were found numerous dedicatory gifts, small idols of clay, bone, and bronze, pieces of terracotta bas-reliefs, fragments of vases, bones of animal sacrifices etc.; these are all stored at present in the magazzino of the excavations (plan I m). These objects too come mainly from very ancient times (VIII‑VI centuries B.C.).
Reference
The Roman Forum — Its History and Its Monuments (1906) by Christian Hülsen, published by Ermanno Loescher & Co, Publishers to H. M. the Queen of Italy. Online at: http://penelope.uchicago.edu/Thayer/E/Gazetteer/Places/Europe/Italy/Lazio/Roma/Rome/Forum_Romanum/_Texts/Huelsen*/2/17.html
Rome was founded on a ready supply of this material – the Tufo Lionato and, underlying it, the tufo known as cappellaccio, the very first to be exploited by Rome and which found application in the platform of the Temple of Jupiter on the Capitoline and the early phases of the Regia. This Cappellaccio is an olive‐grey lithified pyroclastic deposit which outcrops in several places in central Rome, most noticeably on the Capitoline and Palatine and is hence sometimes referred to as Tufo del Palatino From: https://www.romanoimpero.com/2010/06/lapis-niger.html
The Black Pavement After a Rain in 2004.
From Christopher Lyes (June 15, 2017) Rethinking the Lapis Niger.Neo - The Classics Students Journal. Online at: https://doi.org/10.5281/zenodo.8126895
Lapis Niger And Shrine Was At Entrance to Narrow Valley Which Later Became the Forum
From Christopher Lyes (June 15, 2017) Rethinking the Lapis Niger.Neo - The Classics Students Journal. Online at: https://doi.org/10.5281/zenodo.8126895
Ancient Rome around 600 BCE. The Lapis Niger and adjacent shrine were located in the central valley which was the entrance to the Palatine hill. This valley later became the forum.
From: https://algargosarte.blogspot.com/2015/09/el-lapis-niger-y-la-cloaca-maxima.html
Roman Forum showing the location of the Lapis Niger runestone circled in red.
From: Huelson, C.H. (1906) The Roman Forum. Trans. Carter, Jesse. Rome: Loescher & Co. Online at: https://archive.org/details/romanforumitshis00hl/page/n9/mode/2up
Scanning the Front Side of Lapis Niger 2015
Scanning stone is 2015. The information is being hidden away for some reason.
https://algargosarte.blogspot.com/2015/09/el-lapis-niger-y-la-cloaca-maxima.html
2015
Right side of Lapis Niger.
https://algargosarte.blogspot.com/2015/09/el-lapis-niger-y-la-cloaca-maxima.html
Photo of 2-Sides of Stele Made During First 1906 Excavation
Top image is front side. Bottom image is right side
Huelson, C.H. (1906) The Roman Forum. Trans. Carter, Jesse. Rome: Loescher & Co. Page 110. Online at: https://archive.org/details/romanforumitshis00hl/page/n9/mode/2up
Photo of Other 2-Sides of Stele Made During First 1906 Excavation
Top image is left side. Bottom images if back side
Huelson, C.H. (1906) The Roman Forum. Trans. Carter, Jesse. Rome: Loescher & Co. Page 111. Online at: https://archive.org/details/romanforumitshis00hl/page/n9/mode/2up
(December 25, 2023) Front of Lapis Niger. Letter style is mostly Etruscan with a Maltese "Q." The Aegean style "U" is sometimes mixed with the Etruscan style "U."
Translation of Front Face in Akkadian (Med Text 47.1)
(Capital letters on object. Small letters are inferred Inner vowels. Vowels are italic bold) - Qu U'a Ya Ḫu'u (Med 47.1.1) read right to left
- ABu Di'u APu Zu (Med 47.1.1) read left to right (opposite direction usually indicates a contrary opinion to the theme of the other direction)
- EDu Za'u Bu (Med 47.1.3) read right to left
In English
- Life-Threads are not being fate-cursed by astrological-owls. (defends the astrological motion powers)
- The Life-Priests divine-powers are veiling the emanations (blames life powers)
- Motivate the Baker's (Hu) nourishments. (Motivation rituals push the fertility fluids through the life network. This is a motion power)
Reference
http://www.codex99.com/typography/15.htmlHuelson, C.H. The Roman Forum. Trans. Carter, Jesse. Rome: Loescher & Co., 1906.Online at: https://archive.org/details/romanforumitshis00hl/page/n9/mode/2up(December 26, 2023) Left side of Lapis Niger. Bottom photo is flipped upside down because lines 3 and 4 were written from this reversed angle. Letter style is mostly Etruscan with Aegean style letter shin.
Translation of Left Face in Akkadian (Med Text 47.2)
(Capital letters on object. Small letters are inferred Inner vowels. Vowels are italic bold) - [1]' Du Ya'u UTu Mu ENu (Med 47.2.1) read left to right (opposite direction usually indicates a contrary opinion to the theme of the other direction)
- Tu AKu AGu Ya A Di'u Tu ANu (Med 47.2.2) read right to left
- Du E IṢu YaYa AḪu (Med 47.2.3) read right to left
- Nu Ku ALu A Ḫu'u (Med 47.2.4) read left to right (opposite direction usually indicates a contrary opinion to the theme of the other direction)
In English
- [word] life-manifestations of Yahu can be woven with the fertility-fluid's reassignments
- The astrology-magic of emotion-owls is not angering those divine-powers with astrology-magic's considerations
- Life-manifestations can be made ineffective by making-scarce pain's attendants (emotion owls)
- The Revealer's (Kate/Hekate) Involvement with Alu is is a result of astrological-owls
(December 26, 2023) Back of Lapis Niger. Top photo gives letters assignments for lines 1 and 3 while lower photo give assignments for lines 2 and 4. Letter style is mostly Etruscan with a Maltese "Q." The Aegean style "U" is sometimes mixed with the Etruscan style "U."
Translation of Back Face in Akkadian (Med Text 47.3)
(Capital letters on object. Small letters are inferred Inner vowels. Vowels are italic bold) - Nu UYu Tu ERu Ḫu (Med 47.3.1) read right to left
- AḪu Ta'u U UKu (Med 47.3.2) read right to left
- U E La'u DaNu EQu U (Med 47.3.3) read right to left
- Qi'u Ya'u U EZu Y' D (Med 47.3.4) read left to right (opposite direction usually indicates a contrary opinion to the theme of the other direction)
In English
- The Revealer (Kate/Hekate) is being fate-cursed by astrology-magic being gathered-together with Hu
- Attendants (astrological owls) are grazing-together with the weavers (network editing eagle-vultures)
- Meanwhile no astrological-powers are due to the judge's (god Su) ineffectiveness
- Envy of Yahu is due to frustration with Yahu's life-manifestations
Reference
http://www.codex99.com/typography/15.htmlHuelson, C.H. The Roman Forum. Trans. Carter, Jesse. Rome: Loescher & Co., 1906.Online at: https://archive.org/details/romanforumitshis00hl/page/n9/mode/2up(December 27, 2023) Right side of Lapis Niger. Top photo gives letters assignments for lines 1 and 3 while lower photo give assignments for lines 2 and 4. Letter style is mostly Etruscan with a Maltese "Q." The Aegean style "U" and squarish "B" is sometimes mixed with the Etruscan styles.
Translation of Right Face in Akkadian (Med Text 47.4)
(Capital letters on object. Small letters are inferred Inner vowels. Vowels are italic bold) - Zu ARu A (Med 47.4.1) read right to left
- Qu EBu E (Med 47.4.2) read right to left
- Mu Gu UBu (Med 47.4.3) read right to left
- Qu U'a ZaRu (Med 47.4.4) read right to left
In English
- Emanations (sun rays, rain) are due to the Controllers (Su and Selene)
- Life-Threads of the sky-shell are ineffective
- Fertility-fluids (for the threads/channels) can be energized by the patrollers (planets).
- Life-Threads are being fate-cursed by the distributors (astrological-powers)
Reference
http://www.codex99.com/typography/15.htmlHuelson, C.H. The Roman Forum. Trans. Carter, Jesse. Rome: Loescher & Co., 1906.Online at: https://archive.org/details/romanforumitshis00hl/page/n9/mode/2upAttempted Translation In Latin
Amazingly, all Latin translations are based upon near copies of this letter assignment by Warmington which is completely incorrect. No one has ever gone back to check the original source. E. H. Warmington was Professor of Classics at Birkbeck College, London, and General Editor of the Loeb Classical Library between 1937–1974.
(Akkadian Lettering with faces rearranged for best fit with the proposed Latin. Face numbers in parenthesis)
(1) Q U' Y Ḫ'
AB D' AP Z
ED Z' B
--------------
(4) Zu ARu A
Qu EBu E
Mu Gu UBu
Qu U'a ZaRu
-------
(2) [1]' D Y' UT M EN
T Au AG Y A D' T AN
D E IṢ YY AḪ
N K A L A Ḫ'
-------
(3) N UY T ER Ḫ
AḪ T' U UK
U E L' Du EQ U
Q' Y' U EZ Y' D
(Latin Lettering by Warmington which is completely wrong in both number of lines and letter assignments)
QUOI HOI (Akkadian ' is O)
SAKROS ES (Line not reversed)
ED SORA [no ...]
--------
...IA ... IAS
RECEI : C
...[D]EVAM
QUOS : R ...
----------
... M : KALATO
REM HA [ruspex ...]
... IOD IOUXMEN
TA : KAPIA : DOTAV
-------
M I : TE RI ...
... M : QUOI HA
VELOD : NEQU[e]
... OD IOVESTOD
___________
DOIVO : VIOD (inversion)
E.H. Warmington's Original 1940 Translation.
He who (violates) this ...
that he be soleemnly forfeited to Soranus.
(merged with above line)
------------
__ . ____
to the king
goddess (or divine)
whom (or which)
-----------
summoner
soothsayer?
draught-cattle
let him take
--------
___ . ___
whoever this
covering neither
legitimate (or be ... to Jupiter)
________________
doivo : viod ... (inversion)
“Varronian” Latin Translation by Sascha Engel based on the incorrect Warmington lettering
For the many, for the sheep, with their
Consecrated and inviolable copper, while this sacred deposit,
I eat; to those joining and uniting
----------------
hers from them; to this highpriest,
to that which always existed, to whom
of this matter I announce;
of the matter of the rite,
of opening the chasm to the God of the dead;
I say to all of them: from the egg comes an omen
which she has taken to transform two
bulls into men, and him,
him for whom these
wishes fly, to render him worthless,
through sound and smell dissolved, even through Jupiter,
to render what is the Gods’ from beginning to end.
Some Translation Comments By Sascha Engel
Many translations for this text have been suggested over the years but this example seems to be the best attempt. The translator, Sacha Engle, says this about the text:
Reading this text presented to the ancients – and still presents to us – a number of difficulties: the text is incomplete, since the top of the slab is broken off, the Latin on it is very early, and the lettering used is more Greek than Latin. Most interpretations of the text center around the only four undisputed words (SAKROS, RECEI, KALATOREM, IOUXMEN), which have been argued to indicate a sacred legal context.
The text presented here is a “Varronian” translation of that inscription, in that I have exclusively used etymologies found in, or inspired by, Marcus Terentius Varro’s work, De Lingua Latina (“On the Latin Language”), composed in twenty-five books between the years 47-45 BCE and dedicated to Varro’s contemporary, the Roman statesman Marcus Tullius Cicero.
The translation is experimental and does not purport to be an authoritative translation of the text found on the lapis niger. It merely aims to document that this stone slab’s mysteries can be read and interpreted in many different ways, and to imagine what Varro would have made of it.
Reference
https://exchanges.uiowa.edu/ancient/issues/diversions/lapis-niger/
The Latin text is reproduced from Eric H. Warmington, Remains of Old Latin, Volume IV: Archaic Inscriptions (Cambridge, MA: Harvard University Press, 1989 (first published in 1940), 242-244. (E. H. Warmington was Professor of Classics at Birkbeck College, London, and General Editor of the Loeb Classical Library between 1937–1974.