Colored Stones and Gems

A good selection of magical stones. Their magic comes from the feelings and perceptual biases they generate within you and not from any inherent power on their part. While they have suggested resonances based upon what has worked for others you must discover what those feelings really are for you.
To properly unlock the power of a stone requires that you first work with it. Start the working by cleaning the stone with water, hold it a while, look at it, get to know it, lets its gut level meaning sink into you. Next carry it around for a week. Put it into your pocket or purse so you can handle it often in order that it will never be far from your thoughts. If handling a gem for the first time the ideal situation after a week is to talk about it with an experienced practitioner. You will often be surprised at the results.

Top Magical Stones

(January 3, 2025) The Druid archaeological texts talk about emotion magic which would involve using various emotion enhancing and focusing items in rituals. Some of the most popular today are colored stones and gems. Additionally, more and more evidence is coming in that Neolithic people mined and traded colored stones long distances.

Listed below are the common emotional resonances for the most popular stones used today:

Talk by Dr Petros Chatzimpaloglou from Wednesday 9 December 2020. This is Lecture III of 2020-2021 presented by The Archaeological Society Malta and Department of Classics & Archaeology, University of Malta series of public lectures.
(January 3, 2025) The red tool chips at the top came from somewhere off the island of Malta. The black tool chips came from Sicily. 

Ancient Malta Traded for Black and Red Chert To Probably Create Ritual Tools

(January 3, 2025) Some great detective work traced the sources of some red and black stone chips left over from tool making to Sicily and to somewhere further afield. The main point here is that the Neolithic Maltese islanders would spend above average levels of wealth to bring in simple colored stones. The only reason for this is that the colors themselves were important. Such  trade proceeded the trade for metals during the Bronze Age.

Valleys of Serabit el-Khadim Mining Complex

Valleys of Serabit Mining Complex


The temple to Hathor and Sopdu is located in the upper center. Image from: Petrie, W.M.F. (1906) Researches in the Sinai. New York. E.P Dutton and Company

Turquoise At Serabit el-Khadim in the Sinai Desert Was Being Mined Prior to 1831 BCE

(November 10, 2023, updated January 3, 2025) The earliest hieroglyphic inscription at this mine dates to the 40th year of pharaoh Amenemhat III (1831-1786 BCE) and it reads:


A royal offering to Hathor, Lady of Turquoise, for the ka (life-power) of the chief chamberlain Sebek-her-beh, for the ka of the seal bearer, deputy of the overseer of the seal-bearers, Kemnaa, born of Kahotep (Petrie 1906: p 66).

The mines were opened and closed several times. Pharaoh Hatshepsut was the last Pharoah to re-open it. She turned two natural side-by-side cave grottos into a temple. One side and grotto was dedicated to the goddess Hathor (equivalent to Mediterranean Ayu) and the other to the god Sopdu which seems to be the Akkadian phrase Sâpu.Du meaning "Community of the Life-Manifestations."

Egyptian Hathor (Druid crescent moon goddess Ayu) had a grotto there because she was associated with the blue sky which brought the manifested fertility fluids like rain, sun light, and heat.

Sopdu seems to have been a god representing the local people, that is, the Pagan Israelites who would have done most of the mining under the organization of the Minoans and later the Egyptians. The word "Israel" derives from the Akkadian phrase meaning "The righteous of Alu" from  IŠR.AL in which Alu is the source of the life powers. Sopdu essentially means the same thing and may even have been the label the Bronze Age Israelites.

When female Pharaoh Hatshepsut (1473-1458 BCE.) converted the grottos into temples she had one of the columns show her hugging Sopdu.  

The pharaohs who came after Pharaoh Hatshepsut kept expanding the walkway to the Hathor temple as shown below. The steles at the farthest entrance are dedicated to Pharaoh Sethnakht (reigned 1186-1184) and Ramesses II (reigned 1279-1213). The end of building indicates that the mine ceased major organized operations around 1180 BCE during the economic collapse brought about by the great drought which ended the Bronze Age. Yet the last offering tokens to these deities found in the grottos date to the time of Pharaoh Ramesses VI (1143-1136 BCE.) (Petrie 1906: p 149). 

The walkway leading to the grottos was mostly lined with numerous stone monuments dedicated to the goddess Hathor. Yet, some of these had other images including those of Egyptian ships and one even had a giraffe. A few of these monuments even had the date of their dedication inscribed on them. 

References

Butin, Romain F. (1928) The Seribit Inscriptions: II. The Decipherment and Significance of the Inscriptions. Harvard Theological Review. Vol 21 No. 1 pp. 9-67 
Butin, Romain F. (1932) The Proto-Sinaitic Inscriptions. Harvard Theological Review. Vol 25 No. 2 pp. 130-203
Petrie, W.M.F. (1906) Researches in the Sinai. New York. E.P Dutton and Company
Map of temple at Serabit el-Khadim
Map of temple at Serabit el-Khadim at the end. The original grottos are on the right with the larger one devoted to Hathor (Ayu) and the smaller one being devoted to a god representing the local people called Sopdu.  Sopdu seems to have been a god representing the local people, that is, the Israelites who would have done most of the mining under the organization of the Minoans.    When female Pharaoh Hatshepsut (1473-1458 BCE.) built the first rooms of the processional path to the temple grottos she had one of its columns show her hugging Sopdu.  (Butin 1928).
Image from: Butin, Romain F. (1928) The Seribit Inscriptions: II. The Decipherment and Significance of the Inscriptions. Harvard Theological Review. Vol 21 No. 1 pp. 9-67